MixBrasil Festival 2021

1325 Kilometers 227 Days

A legendary touch for a rawer reality

A Letter to My Father

A Present Light

A Team of Two

Access

After Everything

Agua | Water

Amato

An accumulation of all errors: intersectional YA narratives

An Unimportant Story

Antes de las Cosas | Things Among Days

As Simple As That

Au-delà du Vide | Beyond the Void

Authoress’ word, academic and hooker: frictions between confession and fiction

Being BeBe – The BeBe Zahara Benet Documentary

Being plural: us, LGBTQIA+ indigenous people

Benedetta

Between the Sheets

Bicycle City – Ramiro

Bodies

Book Release: “Seis balas num buraco só” by João Silvério Trevisan

Bori

Boy Meets Boy

Burn

Call Me Mateo

Câmp de Maci | Poppy Field

Canela

Caramujo-Flor

Cartagena Boy

Charlotty

Close to You

Complicated | מסובך

Coronation of Our Lady of Travestis

Credits | MixBrasil Festival 2021

Cristiano | Christian

Dans la Nature | In Nature

Dentate

Desire Machine

Disclosing Acuenda

Dobles | Double Room

Dois

Don´t Be a DICK!

Dustin

Eden

Education through the night: shadows, dreams, unconscious, gaps of dissidence

El Joven Diego | Young Diego

El Nombre del Hijo | The Name of the Son

Ellen Oléria

En Ce Moment

Episode 1

Ese Fin de Semana | That Weekend

Fireflies

First Carnival

From Shame to Pride

From Time to Time I Burn

Genderation

Gendernauts – Eine Reise durch die Geschlechter | Gendernauts – A Journey Through Shifting Identities

Glück | Bliss

God Has AIDS

Gris Fuego | Fire Gray

Have You Ever Tried to Look Into My Eyes?

Hei Verden

Helena’s Birth

Hermanas

Him

How to Breathe Out of Water

How to Catch your Breath Screaming

How to Have Sex in a Pandemic

How to tell the children: the emergency of a queer thematic literature for children

In Case of Fire, Use Elevator

Instructions For Survival

Introduction

Inverted

It Is Not the Brazilian Homosexuals Who Are Perverse but the Situation in Which They Live

It’s Just in My Head

Jump, Darling

Jury

La Fracture | The Divide

La Muerte de Oso | The Death of Oso

Leading Ladies

Les Amours d’Anaïs | Anaïs in Love

Les Filles Ne Marchent Pas Seules la Nuit | Girls Shouldn’t Walk Alone at Night

Lesbians, visible to whom?

Letters, secrets, confessions: queer intimacy under a magnifying glass

LGBTQIA+ mental health in post-pandemic

Límites | Limits

Lointain | Faraway

Macho Carne

Madalena

Main Prayer

Manaus Hot City

Masterclass: Monika Treut

Meeting the Filmmakers

Mix Icon 2021 – Ney Matogrosso

Mix Literário Soirée 2021

Mix Music New Talents

Monsters, see it to believe it: queer comics and the dissidence of bodies

Moral censorship yesterday and today

Mururé’s Flower

My Uncle’s Friend

Naked Eye

Narratives of transgression: fluid pronouns and the ambiguity as an ethics/esthetics issue

Ney Under the Skin

Okofá

On the Umbrella to Be Resistance

Onlyfans: democracy and commodification of the adult entertainment industry

Out of paradise children: the magic thought as an esthetic of queer resistance in adult literature

Panthera Lemniscata

Personals

Photographs

Potato Dreams of America

Private Desert

Privileged

Queer narrators and their imaginary cities

Raone

Rescuing the song: history, biography, unsilences

Revenge: can man be caught?

Roundtable: Film festivals and indie films scenario

Roundtable: What makes a film “queer”?

Sans Transition | Without Transition

Scars

Sediments

Spearmint

Survival

Swan Song

Sweetheart

Ten Times Love

The Call

The City of Abysses

The First Death of Joana

The Gong Show

The Last Image

The Lower Depths

The silence announcing the scream or FAG VOICE

The Young King

Tracing Utopia

Trade Center

Transversals

Tupamara

Two Boys Who Got Too Far Away From the Sun

Unlearning to Sleep

Until the End

Vaginal Panic

Venus in Nykes

Vuelta al Sol | Birthday Boy

What remains

Wigudun, Alma de Dos Espíritus | Wigudun, Soul of Two Spirits

Workshop: The attention monetization of streaming platform users

בתול בתחת | Virgin My Ass

意外之旅 | Distant Love

정말 먼 곳 | A Distant Place