{"id":8343,"date":"2021-11-06T23:17:43","date_gmt":"2021-11-07T02:17:43","guid":{"rendered":"https:\/\/mixbrasilalterar1.websiteseguro.com\/lgbtqia\/rescuing-the-song-history-biography-unsilences\/"},"modified":"2021-11-06T23:17:43","modified_gmt":"2021-11-07T02:17:43","slug":"rescuing-the-song-history-biography-unsilences","status":"publish","type":"post","link":"https:\/\/mixbrasil.org.br\/29\/rescuing-the-song-history-biography-unsilences\/","title":{"rendered":"Rescuing the song: history, biography, unsilences"},"content":{"rendered":"

Two important releases on LGBTQIA+ people’s memoirs in Brazil. On the one hand, Quinalha presents us with a broad portrait of the resistance of our community during the military dictatorship; on the other, Morando dwells on the details of the life of the iconic figure known as Cintura Fina.<\/p>\n

“Renan Quinalha (“”Contra a moral e os bons costumes””), Luiz Morando (“”Enverga, mas n\u00e3o quebra: Cintura Fina em Belo Horizonte””)
\nMediation<\/strong>: Renan Sukevicius”<\/p>\n","protected":false},"excerpt":{"rendered":"

Two important releases on LGBTQIA+ people’s memoirs in Brazil. On the one hand, Quinalha presents us with a broad portrait of the resistance of our community during the military dictatorship; on the other, Morando dwells on the details of the life of the iconic figure known as Cintura Fina. “Renan Quinalha (“”Contra a moral e […]<\/p>\n","protected":false},"author":12,"featured_media":8531,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[403],"tags":[],"class_list":{"0":"post-8343","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-literature-2021"},"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/posts\/8343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/comments?post=8343"}],"version-history":[{"count":0,"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/posts\/8343\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/media\/8531"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/media?parent=8343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/categories?post=8343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/29\/wp-json\/wp\/v2\/tags?post=8343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}