Artistic expressions allow us to observe reality from expanded perspectives. Through the eyes of those who create particular works, we can reinvent our own viewpoints, interweaving them with these imaginaries. This openness to re-elaboration comes together with LGBTQIAPN+ subjectivities, whose multiplicities\u2014represented by the inclusive addition symbol within the acronym\u2014suggest that gender and sexual identities arise from the diversity of feeling and being. <\/p>\n\n\n\n
The 32nd MixBrasil Festival of Culture and Diversity gathers works from multiple artistic sources \u2014 such as cinema, music, literature, and immersive technologies\u2014that share a common element: the prominence of artists who aesthetically explore non-hegemonic embodiments and performances of gender and sexuality. By presenting these productions within a national framework, the festival seeks to expand the sharing of discourses, representations, and memories that, in dialogue, build a diverse panorama reflecting the many ways of being that genuinely shape reality. <\/p>\n\n\n\n
This premise aligns with the values guiding Sesc’s work. The promotion of diversity by creating spaces and contexts for connection, exchange, and experiences around belonging represents an essential dimension of institutional action. These are prerequisites for social interactions rooted in dignity and respect for the multiple ways of inhabiting the world\u2014especially the world we refer to as the body.<\/p>\n\n\n\n
Sesc S\u00e3o Paulo<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Artistic expressions allow us to observe reality from expanded perspectives. Through the eyes of those who create particular works, we can reinvent our own viewpoints, interweaving them with these imaginaries. This openness to re-elaboration comes together with LGBTQIAPN+ subjectivities, whose multiplicities\u2014represented by the inclusive addition symbol within the acronym\u2014suggest that gender and sexual identities arise […]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-3613","page","type-page","status-publish","hentry","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/pages\/3613","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/comments?post=3613"}],"version-history":[{"count":0,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/pages\/3613\/revisions"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/media?parent=3613"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}