{"id":3617,"date":"2023-11-06T22:49:14","date_gmt":"2023-11-07T01:49:14","guid":{"rendered":"https:\/\/mixbrasil.org.br\/31\/?page_id=3617"},"modified":"2023-11-06T22:49:14","modified_gmt":"2023-11-07T01:49:14","slug":"jury","status":"publish","type":"page","link":"https:\/\/mixbrasil.org.br\/32\/en\/jury\/","title":{"rendered":"Jury"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Competitive Exhibition<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/54090073052_bd160839d8_o.jpg\" alt=\"\" class=\"wp-image-6150 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54090073052_bd160839d8_o.jpg 300w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54090073052_bd160839d8_o-150x150.jpg 150w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Guilherme Marback<\/strong><\/h3>\n\n\n\n<p>Journalist, screenwriter, director, film and theater producer and actor. He has collaborated on several projects with Helena Ignez, as well as on screenplays for films by Greg\u00f3rio Gananian and Patr\u00edcia Moran. He directed the short film &#8220;Espeto&#8221;, winning several awards. As a curator and producer of the &#8220;Festival Jodorowsky&#8221;, he brought the controversial multimedia artist Alejandro Jodorowsky to Brazil in 2007. In 2014, he directed the play &#8220;O Despertar da Primavera&#8221;, which was acclaimed by both critics and the public. As an actor, he participated in the first staging of &#8220;Macuna\u00edma&#8221;, directed by Antunes Filho. Guilherme performed in three productions directed by M\u00e1rcio Aur\u00e9lio: &#8220;A Farsa da Noiva Bombardeada&#8221;, &#8220;Tyde Moreyra e sua Banda de Najas&#8221;, and the award-winning &#8220;\u00c9dipo Rei&#8221;. On television, he directed documentaries, including the &#8220;Especial dos Cem Anos da Pinacoteca&#8221;. He has taught theater and cinema courses, and in recent years, he has worked as a curator for the &#8220;Cine Satyros Bijou&#8221; in S\u00e3o Paulo.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Luh Maza<\/strong><\/h3>\n\n\n\n<p>Ddirector, author, and actress. She wrote the series &#8220;Da Ponte Pra L\u00e1&#8221;, the feature &#8220;Insubmissas&#8221;, and commercials. Luh is the head writer for the upcoming adaptation of &#8220;Torto Arado&#8221; and acted as a consultant for the series &#8220;De Volta Aos 15&#8221;. She also wrote &#8220;Os Quatro da Candel\u00e1ria&#8221; and &#8220;Sess\u00e3o de Terapia&#8221;, earning a nomination for ABRA&#8217;s Screenwriter of the Year Award. As the creative director and screenwriter for the publicity film &#8220;Trinta e Cinco&#8221;, she received the bronze award at the El Ojo de Iberoamerica festival. As an actress, Luh starred in &#8220;Da Ponte pra L\u00e1&#8221; and &#8220;\u00d3 Pa\u00ed, \u00d3 2&#8221;. She was a jury for the Shell Theater Award. Recognized as a breakthrough actress by UOL, she won the Aplauso Brasil Award and received a nomination for the Jabuti Literature Prize as part of Cole\u00e7\u00e3o Primeiras Obras. Luh has also directed and\/or written notable plays, including &#8220;Transtopia&#8221;, &#8220;Kiwi&#8221;, and &#8220;Carne Viva&#8221;.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/54091399970_6f9084bc5d_o-683x1024.jpg\" alt=\"\" class=\"wp-image-6149 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54091399970_6f9084bc5d_o-683x1024.jpg 683w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54091399970_6f9084bc5d_o-200x300.jpg 200w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54091399970_6f9084bc5d_o-768x1152.jpg 768w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54091399970_6f9084bc5d_o-1024x1536.jpg 1024w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54091399970_6f9084bc5d_o.jpg 1280w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"960\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/54090073042_e8ee6b3163_o.jpg\" alt=\"\" class=\"wp-image-6148 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54090073042_e8ee6b3163_o.jpg 960w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54090073042_e8ee6b3163_o-300x300.jpg 300w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54090073042_e8ee6b3163_o-150x150.jpg 150w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54090073042_e8ee6b3163_o-768x768.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Thiago Stivaletti<\/strong><\/h3>\n\n\n\n<p>Journalist, screenwriter, and film, TV, and streaming critic. He worked as a reporter for Folha de S. Paulo, Valor Econ\u00f4mico, and Editora Abril, among others. For four years, he hosted the \u201cPlano Geral\u201d podcast, offering tips and interviews about the world of cinema and streaming. For nine years, he covered the Cannes Film Festival for UOL. As a screenwriter, he has worked for TV Globo and the Multishow channel. Since 2004, he has been part of the team of collaborators for the Mostra &#8211; S\u00e3o Paulo International Film Festival. He is currently a columnist for F5, the entertainment and pop culture website of Folha de S. Paulo.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong><strong>Competitive Exhibition<\/strong><\/strong> Short Films<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/54090949291_d3797fa5f5_o-768x1024.jpg\" alt=\"\" class=\"wp-image-6154 size-full\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Chico Fireman<\/strong> <\/h3>\n\n\n\n<p>From Macei\u00f3, Alagoas, relocated to S\u00e3o Paulo to be closer to film festivals. He is a journalist and critic affiliated with Abraccine, author of \u201cFilmes do Chico\u201d, and a co-founder of the distribution company Michiko Filmes.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Nayla Guerra<\/strong><\/h3>\n\n\n\n<p>Researcher, filmmaker, and curator. She holds a degree in Audiovisual Studies from ECA-USP and works as a cultural producer at the Cinemateca Brasileira. Director of the short film \u201cFerro\u2019s Bar\u201d (2023), Nayla is also the organizer of the collective and film club \u201cCine Sapat\u00e3o\u201d. She is the author of the books \u201cEntre apagamentos e resist\u00eancias\u201d (Editora Alameda, 2023) and \u201cNo rastro dos encontros perdidos \u2013 A mostra Nov\u00edssimo Cinema Brasileiro\u201d (Cinusp, 2024). She served as a juror on the official panel of the Mostra Mov.Cidade (2021) and was part of the youth jury for the Tiradentes Film Festival (2022). Nayla is also a film columnist for Opera Mundi.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/54091284344_13b87aac6e_o-683x1024.jpg\" alt=\"\" class=\"wp-image-6156 size-full\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"960\" height=\"538\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/54091279109_ed6d1c7217_o.jpg\" alt=\"\" class=\"wp-image-6155 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54091279109_ed6d1c7217_o.jpg 960w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54091279109_ed6d1c7217_o-300x168.jpg 300w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/54091279109_ed6d1c7217_o-768x430.jpg 768w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Thais Scabio<\/strong><\/h3>\n\n\n\n<p>Has been navigating through direction, screenwriting, and production for 20 years. She is the director of Cavalo Marinho Audiovisual, a production company she founded in 2006, and is also a founding member of APAN (Association of Black Audiovisual Professionals). Additionally, she manages the Todesplay streaming platform. She is currently finalizing the fiction feature film \u201cOnde Estamos Seguros\u201d, which she co-wrote and co-directed with Gilberto Caetano. Thais also coordinates educational audiovisual projects in the outskirts of S\u00e3o Paulo and other cities.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\">MIX.<strong>XR<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img decoding=\"async\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/MuriloSantana_GamescomLatam-683x1024.jpg\" alt=\"\" class=\"wp-image-6253 size-full\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">Murilo Santana<\/h3>\n\n\n\n<p>He is Gaming advisor at Spcine and works as a game educator in public cultural spaces in S\u00e3o Paulo. He holds a degree in Digital Games from FMU and is also a graphic designer and game developer from SAGA school, as well as being a multimedia technician from ETEC Jornalista Roberto Marinho. With a deep interest in technologies from different times and contexts, Murilo explores both contemporary innovations and ancestral knowledge, recognizing the value of traditional practices in shaping new technological languages.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Selva Gonz\u00e1lez Vildoso<\/strong><\/h3>\n\n\n\n<p>She is a Franco-Chilean artist, producer, curator, cultural manager, and LGBTQIA+ activist based in Marseille, France. She is the founder and executive producer of Maltrato Films, a production company focused on collaborative audiovisual works, and the co-founder of Nanai Studio, dedicated to immersive interactive experiences. Currently, she researches psychology and biology, focusing on community organization, environmental issues, and LGBT+ rights. She is the founder, coordinator, and curator of SANFIC XR at the Santiago International Film Festival, the regional delegate of &#8220;MAIX,&#8221; the Latin American Movement of XR Artists and Researchers, and the producer and curator of the &#8220;Excentrico Film Festival,&#8221; focused on explicit and critical pornography films<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1020\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/Selva-Gonzalez-Vildoso-1024x1020.jpeg\" alt=\"\" class=\"wp-image-6173 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Selva-Gonzalez-Vildoso-1024x1020.jpeg 1024w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Selva-Gonzalez-Vildoso-300x300.jpeg 300w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Selva-Gonzalez-Vildoso-150x150.jpeg 150w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Selva-Gonzalez-Vildoso-768x765.jpeg 768w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Selva-Gonzalez-Vildoso.jpeg 1030w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"765\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/Ana-Arruda-foto-divulgacao-1-1024x765.jpg\" alt=\"\" class=\"wp-image-6254 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Ana-Arruda-foto-divulgacao-1-1024x765.jpg 1024w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Ana-Arruda-foto-divulgacao-1-300x224.jpg 300w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Ana-Arruda-foto-divulgacao-1-768x574.jpg 768w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Ana-Arruda-foto-divulgacao-1.jpg 1170w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Ana Arruda<\/strong><\/h3>\n\n\n\n<p>Director of S\u00e9tima Produ\u00e7\u00f5es Culturais and the Curta Bras\u00edlia Festival, a pioneer in immersive narratives with the Mostra CVR. Producer, curator, and programmer with experience in over 60 showcases and film festivals since 2001. She develops and participates in international projects that combine cinema, art, technology, and education, focusing on virtual reality, diversity, and new forms of expression<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>&nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">MIX LITERARY<\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/Amara-Moira-1024x682.jpg\" alt=\"\" class=\"wp-image-6256 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Amara-Moira-1024x682.jpg 1024w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Amara-Moira-300x200.jpg 300w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Amara-Moira-768x512.jpg 768w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Amara-Moira.jpg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\">Amara Moira<\/h3>\n\n\n\n<p>Writer, teacher, and activist Amara Moira holds a Ph.D. in Literary Theory from Unicamp. Upon completing her doctorate, Amara became the first trans woman to sign her thesis using her chosen name. This name, inspired by Homer\u2019s Odyssey, refers to the seers who foretold Ulysses\u2019 fate. She began her literary career with a blog where she shared her experiences working as a prostitute\u2014a work that not only explores the boundaries between fictional narrative and biography but also reflects on the role of literature as a force for social transformation.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Renan Quinalha<\/strong><\/h3>\n\n\n\n<p>He is a law professor at the Universidade Federal de S\u00e3o Paulo (Unifesp), where he is also the Trans Center\u2019s assistant coordinator. A human rights lawyer, he is a consulting member of the Sexual and Gender Diversity Commission at OAB-SP. Among his published works are \u201cContra a moral e os bons costumes: a ditadura e a repress\u00e3o \u00e0 comunidade LGBT\u201d (Companhia das Letras, 2021) and \u201cMovimento LGBTI+: uma breve hist\u00f3ria do s\u00e9culo XIX aos nossos dias\u201d (Aut\u00eantica, 2022). He is also a diversity and human rights specialist at CNN Brazil.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"434\" height=\"650\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/Renan-Quinalha.jpg\" alt=\"\" class=\"wp-image-6260 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Renan-Quinalha.jpg 434w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Renan-Quinalha-200x300.jpg 200w\" sizes=\"auto, (max-width: 434px) 100vw, 434px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1024\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/Aline-Zouvi-800x1024.jpg\" alt=\"\" class=\"wp-image-6255 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Aline-Zouvi-800x1024.jpg 800w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Aline-Zouvi-234x300.jpg 234w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Aline-Zouvi-768x983.jpg 768w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Aline-Zouvi.jpg 1048w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Aline Zouvi<\/strong><\/h3>\n\n\n\n<p>Completed her master&#8217;s degree on the works of the cartoonist Alison Bechdel. Since 2017, she has been teaching comic books workshops, publishing cartoons and illustrations in media such as Folha de S\u00e3o Paulo, Piau\u00ed, and Quatro Cinco Um. She works in the translation and editing of comics and literature. Among her comics and zines, notable works include \u201cS\u00edncope\u201d (released at CCXP 2017, winner of the Dente de Ouro Award and finalist for the HQMix) and \u201cN\u00e3o Nasci Sabendo\u201d (Harvi Label, 2022, winner of the Citizenship in Respect for LGBT+ Diversity Award and finalist for the Mix Liter\u00e1rio). \u201cPigmento\u201d (Quadrinhos na Cia, 2024) is her first graphic novel.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>CAIO FERNANDO ABREU<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"682\" height=\"450\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/Tatiana-Nascimento.jpg\" alt=\"\" class=\"wp-image-6266 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Tatiana-Nascimento.jpg 682w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Tatiana-Nascimento-300x198.jpg 300w\" sizes=\"auto, (max-width: 682px) 100vw, 682px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Tatiana Nascimento<\/strong><\/h3>\n\n\n\n<p>(Bras\u00edlia, 1981), a graduate in translation, is a Black Brazilian poet, slammer, singer, and songwriter who writes, investigates, and publishes books by Black and LGBT authors, as well as engaging in experimental audiovisual work. She is a co-founder of Pad\u00ea Editora. Her book Lundu was one of the publications selected by the National Project Leia Mulheres in the Best Books of 2016 category.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Fernando Rinaldi<\/strong><\/h3>\n\n\n\n<p>Holds a degree in International Relations from PUC-SP and in Literature from USP. He currently works at Companhia das Letras, responsible for selling the catalog of Brazilian titles to foreign publishers, and is in his first year of the Writers&#8217; Training graduate program at Instituto Vera Cruz.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"554\" height=\"554\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/Fernando-Rinaldi.jpg\" alt=\"\" class=\"wp-image-6265 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Fernando-Rinaldi.jpg 554w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Fernando-Rinaldi-300x300.jpg 300w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Fernando-Rinaldi-150x150.jpg 150w\" sizes=\"auto, (max-width: 554px) 100vw, 554px\" \/><\/figure><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"576\" height=\"1024\" src=\"https:\/\/mixbrasil.org.br\/43\/wp-content\/uploads\/2024\/11\/Zenite-Astra-576x1024.jpg\" alt=\"\" class=\"wp-image-6264 size-full\" srcset=\"https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Zenite-Astra-576x1024.jpg 576w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Zenite-Astra-169x300.jpg 169w, https:\/\/mixbrasil.org.br\/32\/wp-content\/uploads\/sites\/32\/2024\/11\/Zenite-Astra.jpg 720w\" sizes=\"auto, (max-width: 576px) 100vw, 576px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<h3 class=\"wp-block-heading\"><strong>Z\u00eanite Astra<\/strong><\/h3>\n\n\n\n<p>Was born in 1995 in Ribeir\u00e3o Preto, interior of S\u00e3o Paulo State, from where she moved in 2013 to live in Campinas, where she currently resides. She holds a degree in Literature from Unicamp and works as an educator. In her artistic production, she explores prose and poetry, experimenting with different forms of expression in an attempt to address plural realities. She is interested in investigating memory, resistance, and the formation of communities based in experiences of trans, non-binary, and travesti individuals. In 2019, she independently produced three zines, &#8220;Os Z\u00eanis.&#8221; In early 2020, she participated as an exhibitor at NHA\u00cd \u2013 Feira de Literatura e Arte Impressa organized by Casa 1. In the same year, she published the short story &#8220;O Meu Nome Quer Dizer Verdade&#8221; in the digital magazine Uso no 3.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Competitive Exhibition Guilherme Marback Journalist, screenwriter, director, film and theater producer and actor. He has collaborated on several projects with Helena Ignez, as well as on screenplays for films by Greg\u00f3rio Gananian and Patr\u00edcia Moran. He directed the short film &#8220;Espeto&#8221;, winning several awards. As a curator and producer of the &#8220;Festival Jodorowsky&#8221;, he brought [&hellip;]<\/p>\n","protected":false},"author":13,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-3617","page","type-page","status-publish","hentry","missing-thumbnail"],"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/pages\/3617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/users\/13"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/comments?post=3617"}],"version-history":[{"count":0,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/pages\/3617\/revisions"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/media?parent=3617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}