{"id":5005,"date":"2024-10-24T22:04:51","date_gmt":"2024-10-25T01:04:51","guid":{"rendered":"https:\/\/mixbrasil.org.br\/32\/?p=5005"},"modified":"2024-10-24T22:04:51","modified_gmt":"2024-10-25T01:04:51","slug":"unbowed","status":"publish","type":"post","link":"https:\/\/mixbrasil.org.br\/32\/en\/unbowed\/","title":{"rendered":"Unbowed"},"content":{"rendered":"\n<div class=\"wp-block-cover ticss-a05974b6\" style=\"min-height:170px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-100 has-background-dim\" style=\"background-color:#151515\"><\/span><div class=\"wp-block-cover__inner-container is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h5 class=\"wp-block-heading\">14 NOV | QUI <a href=\"https:\/\/ims.com.br\/unidade\/sao-paulo\/\" data-type=\"link\" data-id=\"https:\/\/ims.com.br\/unidade\/sao-paulo\/\" target=\"_blank\" rel=\"noreferrer noopener\">@ IMS<\/a><br>20h00 \u2013 Insubmissas (72&#8242;) | 14 anos<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">19 NOV | TER <a href=\"https:\/\/mis-sp.org.br\/\" target=\"_blank\" rel=\"noreferrer noopener\">@ MIS Audit\u00f3rio<\/a><br>20h00 \u2013 Insubmissas (72&#8242;) | 14 anos<\/h5>\n<\/div><\/div>\n\n\n\n<p><em><strong>Direction<\/strong><\/em><strong>:<\/strong><em>  Carol Benjamin, Ana do Carmo, Julia Katharine, Luh Maza, Tais Amordivino<\/em><br><em><strong>Country: <\/strong>Brasil<br><strong>States: <\/strong> RJ \/ SP\/ BA<br><strong>Year:<\/strong> 2024<br><strong>Duration:<\/strong>  72 min<\/em><br><em><strong>Rating: <\/strong>14 years<\/em><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Women writers intertwine their work in the form of an anthology in this feature film. The scripts are adapted from tales written by Brazilian women at the end of the 20th Century to create four shorts filmed by directors of groups under-represented in the cinematographic industry of Brazil of 2024. Themes such as death, healing, the body, marriage and desire are tantamount in stories in which women revisit their past in search of liberty.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Insubmissas - Teaser\" src=\"https:\/\/player.vimeo.com\/video\/1015387015?dnt=1&amp;app_id=122963\" width=\"560\" height=\"315\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Credits<\/h3>\n\n\n\n<p>Cast: J\u00e9ssica Marques, M\u00e1rcia Limma, Divina Val\u00e9ria, Gilda Nomacce, C\u00e9sar Novais, Josi Varj\u00e3o, Ant\u00f4nio Petrin, Sara Barbosa, Alana Ayok\u00e1<br>Screenplay: Clara Peltier<br>Cinematography: Edvaldo Raw, Flora Dias, Sladk\u00e1 Medusa, Mamba Negra<br>Editing: Carol Benjamin<br>Sound: Weider R\u00e9gis, Rodney Blanco, Matias Bruno, Victor Brasileiro<br>Music: Edson Secco<br>Production Design: Thiago Romero, Jo\u00e3o Marcos De Almeida, Juliana Lobo, Adriele Regina<br>Production: Leandra Leal, Carol Benjamin, Maria Barreto, Rita Toledo<br>Production Company: Daza Filmes<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Filmography<\/h3>\n\n\n\n<p>Carol Benjamin:<br>2019 Fico Te Devendo uma Carta Sobre o Brasil<br>2018 As Mil Mulheres<\/p>\n\n\n\n<p>Ana do Carmo:<br>Sol a Pino (em desenvolvimento)<\/p>\n\n\n\n<p>Julia Katharine:<br>2020 This is Not Dancin Days (curta)<br>2018 Tea For Two (curta)<\/p>\n\n\n\n<p>Luh Maza:<br>2024 Da Ponte Pra L\u00e1 (s\u00e9rie de fic\u00e7\u00e3o)<\/p>\n\n\n\n<p>Tais Amordivino:<br>2018 Motriz (curta)<br>2024 Davi &#8211; Um Cara Comum da Bahia<br>2024 A Menina Que Queria Voar (curta)<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Direction: Carol Benjamin, Ana do Carmo, Julia Katharine, Luh Maza, Tais AmordivinoCountry: BrasilStates: RJ \/ SP\/ BAYear: 2024Duration: 72 minRating: 14 years Women writers intertwine their work in the form of an anthology in this feature film. The scripts are adapted from tales written by Brazilian women at the end of the 20th Century to [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":5485,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[5,25,26],"tags":[362],"class_list":["post-5005","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-en","category-reframe-en","category-features-en","tag-reframe-en","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts\/5005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/comments?post=5005"}],"version-history":[{"count":0,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts\/5005\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/media\/5485"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/media?parent=5005"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/categories?post=5005"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/tags?post=5005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}