{"id":5046,"date":"2024-10-25T10:14:02","date_gmt":"2024-10-25T13:14:02","guid":{"rendered":"https:\/\/mixbrasil.org.br\/32\/?p=5046"},"modified":"2024-10-25T10:14:02","modified_gmt":"2024-10-25T13:14:02","slug":"wheels-of-a-giant","status":"publish","type":"post","link":"https:\/\/mixbrasil.org.br\/32\/en\/wheels-of-a-giant\/","title":{"rendered":"Wheels of a Giant"},"content":{"rendered":"\n<div class=\"wp-block-cover ticss-a05974b6\" style=\"min-height:170px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-background-dim-100 has-background-dim\" style=\"background-color:#151515\"><\/span><div class=\"wp-block-cover__inner-container is-layout-constrained wp-block-cover-is-layout-constrained\">\n<h5 class=\"wp-block-heading\">14 NOV | QUI <a href=\"https:\/\/centrocultural.sp.gov.br\/\" target=\"_blank\" rel=\"noreferrer noopener\">@ SPCINE PAULO EM\u00cdLIO (CCSP)<\/a><br>19h00 \u2013 Rodas de Gigante (100&#8242;) | 14 anos<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">21 NOV | QUI <a href=\"https:\/\/mis-sp.org.br\/\" target=\"_blank\" rel=\"noreferrer noopener\">@ MIS Audit\u00f3rio<\/a><br>16h30 \u2013 Rodas de Gigante (100&#8242;) | 14 anos<\/h5>\n<\/div><\/div>\n\n\n\n<p><em><strong>Direction<\/strong><\/em><strong>:<\/strong> <em>Catarina Accioly<\/em><br><em><strong>Country: <\/strong>Brasil<br><strong>State: <\/strong> DF<br><strong>Year:<\/strong> 2023<br><strong>Duration:<\/strong>  100 min<\/em><br><em><strong>Rating: <\/strong>14 years<\/em><br><\/p>\n\n\n\n<p>An eccentric theater director defies old age and the illnesses of the flesh by presenting a perspective of dialogue with eternity through art and its bonds. The poetic improvisation with Hugo Rodas, a Uruguayan multi-artist who established a unique trajectory in Brazil, has intimacy as its proposal. Catarina Accioly filmed the artist for four years, until his death.<br><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Credits<\/h3>\n\n\n\n<p>Cast: Hugo Rodas<br>Screenplay: Catarina Accioly, Daniela Diniz<br>Cinematography: Adelson Barreto<br>Editing: S\u00e9rgio Azevedo<br>Sound: Olivia Hernandez, Micael Guimar\u00e3es<br>Music: Sascha Kratzer<br>Production Design: William Ferreira<br>Production: Catarina Accioly, Daniela Diniz<br>Production Company: Stelios Produ\u00e7\u00f5es, Gri\u00f4 Produ\u00e7\u00f5es<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"TRAILER_Wheels of a Giant_ENGSUB\" src=\"https:\/\/player.vimeo.com\/video\/948899848?dnt=1&amp;app_id=122963\" width=\"560\" height=\"315\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Filmography<\/h3>\n\n\n\n<p>2010 A Obscena Senhora D (curta)<br>2007 Entre Cores e Navalhas (curta)<br>2006 Uma Quest\u00e3o de Tempo (curta)<\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Direction: Catarina AcciolyCountry: BrasilState: DFYear: 2023Duration: 100 minRating: 14 years An eccentric theater director defies old age and the illnesses of the flesh by presenting a perspective of dialogue with eternity through art and its bonds. The poetic improvisation with Hugo Rodas, a Uruguayan multi-artist who established a unique trajectory in Brazil, has intimacy as [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":5530,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[5,24],"tags":[],"class_list":["post-5046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-en","category-queer-doc-en","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts\/5046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/comments?post=5046"}],"version-history":[{"count":0,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts\/5046\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/media\/5530"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/media?parent=5046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/categories?post=5046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/tags?post=5046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}