{"id":6170,"date":"2024-11-09T22:37:03","date_gmt":"2024-11-10T01:37:03","guid":{"rendered":"https:\/\/mixbrasil.org.br\/32\/?p=6170"},"modified":"2024-11-09T22:37:03","modified_gmt":"2024-11-10T01:37:03","slug":"semipermeable-membrane-queer-subjectivity-computing-and-the-hiv-aids-crisis","status":"publish","type":"post","link":"https:\/\/mixbrasil.org.br\/32\/en\/semipermeable-membrane-queer-subjectivity-computing-and-the-hiv-aids-crisis\/","title":{"rendered":"Semipermeable Membrane: Queer Subjectivity, Computing, and the HIV\/AIDS Crisis"},"content":{"rendered":"\n<p>Membrana Semiperme\u00e1vel: Queer Subjectivity, Computing, and the HIV\/AIDS Crisis.<\/p>\n\n\n\n<p> In his recent creative research, Marcos Serafim explores the intersections between queer subjectivities and the impacts of computing, digital networks, and the media legacy of the HIV\/AIDS crisis on the formation of dissident political identities. In this poetic-philosophical investigation, Serafim explores post-truth dynamics through the virus and the viral, death and sexuality, revealing how technological systems and media narratives inform political potentials. His recent works \u201cAutoimune\u201d and \u201cMembrana Semiperme\u00e1vel\u201d question the permeability of boundaries between identity, memory, and the effects of corporate computational structures. Utilizing AI for video generation, he creates critical tensions between body and code, desire and survival, penetrating and penetrated.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Membrana Semiperme\u00e1vel: Queer Subjectivity, Computing, and the HIV\/AIDS Crisis. In his recent creative research, Marcos Serafim explores the intersections between queer subjectivities and the impacts of computing, digital networks, and the media legacy of the HIV\/AIDS crisis on the formation of dissident political identities. In this poetic-philosophical investigation, Serafim explores post-truth dynamics through the virus [&hellip;]<\/p>\n","protected":false},"author":12,"featured_media":6168,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[15],"tags":[],"class_list":["post-6170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mixlab-spcine-en","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts\/6170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/comments?post=6170"}],"version-history":[{"count":0,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/posts\/6170\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/media\/6168"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/media?parent=6170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/categories?post=6170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/32\/wp-json\/wp\/v2\/tags?post=6170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}