{"id":7394,"date":"2025-11-06T18:31:06","date_gmt":"2025-11-06T21:31:06","guid":{"rendered":"https:\/\/mixbrasil.org.br\/33\/abjuration\/"},"modified":"2025-11-08T10:34:23","modified_gmt":"2025-11-08T13:34:23","slug":"abjuration","status":"publish","type":"post","link":"https:\/\/mixbrasil.org.br\/33\/en\/reframe-en\/abjuration\/","title":{"rendered":"Abjuration"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Reframe<br>14 NOV (SEX) | 17h00 | IMS<br>22 NOV (S\u00c1B) | 17h15 | Spcine Olido<\/p>\n<\/blockquote>\n\n\n\n<p><em><strong>Direction:<\/strong> Fernando Weller, Alan Oliveira<\/em><br><em><strong>Country: <\/strong>Brasil | PE\/PI<br><strong>Year:<\/strong>\u00a0 2025<br><strong>Duration:<\/strong> 75 min<\/em><br><em><strong>Rating: <\/strong>14 years\u00a0<\/em><\/p>\n\n\n\n<p>Nayw\u00e1 returns to her hometown of Oeiras, a city in the interior of Piau\u00ed, and invites a group of amateur actors to read and stage a 1758 document that recounts a Witches&#8217; Sabbath held there. Arrenego is a film that explores the ongoing legacy of colonial, racial, and gender oppression in Brazil, drawing connections between the past and the contradictions of the present.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Team<\/h4>\n\n\n\n<p>Elenco\/Cast: Adalberon Mendes da Silva, Amanda Moraes, Franciana Ferraz Viana, Junior Viana, Karolaye Janayna Ventura de Abreu, Meirilane Viana Meireles, Victor Gabriel Santos da Silva, Yanna Pacheco, Nayw\u00e1 Moura Carvalho<br>Roteiro\/Screenplay: Fernando Weller, Alan Oliveira, Nayw\u00e1 Moura Carvalho<br>Fotografia\/Cinematography: Raphael Malta Clasen<br>Montagem\/Editing: Caio Z<br>Som\/Sound: Danilo Carvalho<br>M\u00fasica\/Music: Danilo Carvalho<br>Arte\/Production Design: Nayw\u00e1 Moura Carvalho<br>Produ\u00e7\u00e3o\/Production: Luiz Barbosa, Carol Ferreira<br>Produtora\/Production Company: Jaragu\u00e1 Produ\u00e7\u00f5es<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Trailer Arrenego (2025)\" src=\"https:\/\/player.vimeo.com\/video\/1094185806?dnt=1&amp;app_id=122963\" width=\"560\" height=\"315\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Filmography<\/h4>\n\n\n\n<p>Fernando Weller:<br>2017 Em Nome da Am\u00e9rica<br>2010 L\u00edngua M\u00e3e<\/p>\n\n\n\n<p>Alan Oliveira:<br>2016 Di Melo, o imorr\u00edvel (curta)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Reframe14 NOV (SEX) | 17h00 | IMS22 NOV (S\u00c1B) | 17h15 | Spcine Olido Direction: Fernando Weller, Alan OliveiraCountry: Brasil | PE\/PIYear:\u00a0 2025Duration: 75 minRating: 14 years\u00a0 Nayw\u00e1 returns to her hometown of Oeiras, a city in the interior of Piau\u00ed, and invites a group of amateur actors to read and stage a 1758 document [&hellip;]<\/p>\n","protected":false},"author":29,"featured_media":8582,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[2810,2394],"tags":[893,904,2396,2153,2398,2400],"class_list":["post-7394","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinema-en","category-reframe-en","tag-feminista-en","tag-memoria-en","tag-brasil-pe-pi-en","tag-cinema-en","tag-competitiva-reframe-queerdocs-en","tag-trans-queer-en","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/7394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/comments?post=7394"}],"version-history":[{"count":2,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/7394\/revisions"}],"predecessor-version":[{"id":8584,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/7394\/revisions\/8584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/media\/8582"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/media?parent=7394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/categories?post=7394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/tags?post=7394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}