{"id":8888,"date":"2025-11-10T18:55:21","date_gmt":"2025-11-10T21:55:21","guid":{"rendered":"https:\/\/mixbrasil.org.br\/33\/downfall-of-the-virtual-human-2\/"},"modified":"2025-11-10T20:27:13","modified_gmt":"2025-11-10T23:27:13","slug":"downfall-of-the-virtual-human-2","status":"publish","type":"post","link":"https:\/\/mixbrasil.org.br\/33\/en\/mix-eng\/downfall-of-the-virtual-human-2\/","title":{"rendered":"Downfall of the Virtual Human"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>14 a 17\/NOV | das 15h \u00e0s 21h | Anexo CineSesc<\/p>\n<\/blockquote>\n\n\n\n<p><em><strong>Direction:<\/strong> Jimmy Yu<\/em><br><em><strong>Country: <\/strong>Coreia do Sul<br><strong>Year:<\/strong>&nbsp; 2025<br><strong>Duration:<\/strong> 25 min<\/em><br><em><strong>Rating: <\/strong>14 years&nbsp;<\/em><\/p>\n\n\n\n<p>Downfall of the Virtual Human is a multimedia VR work that satirically depicts the rise and fall of Mizzy, a popular virtual woman who became the target of Korea\u2019s \u201cClaw hand\u201d controversy. The work explores how virtual female bodies are easily consumed, sexualized, and discarded online.<\/p>\n\n\n\n<p>Part 1 narrates Mizzy\u2019s creation, fame, and collapse, while Part 2 invites participants to embody future humans on a VR journey through her fragmented memories.<\/p>\n\n\n\n<p>Mizzy\u2019s final mechanical monologue from The Seagull echoes across time, as she survives not in erasure but as lingering data in a world shaped by digital violence.<\/p>\n\n\n\n<p><strong>CREDITS<\/strong><br>Production Credits<br>Puppet Hospital \u2013 S\u00e3o Paulo<br>Thomas Brennan \u2013 Direction, Design, Performance<br>Miguel Noya \u2013 Electronic Music Composer<br>Gustavo Sol \u2013 Performer and Digital Dramaturg<br>Support Team<br>Paula Fernanda Monte Santo, Lara Buffa, Tori Moraes, Pedro Ayarroio<br>Acknowledgments<br>Prof. Dr. Silvia Laurentiz, Dr. Clarissa Ribeiro, Grupo Realidades<br>Puppet Hospital \u2013 Sweden<br>Thomas Brennan \u2013 Direction, Design, Performance<br>Miguel Noya \u2013 Electronic Music Composer<br>Gustavo Sol \u2013 Performer and Digital Dramaturg<br>Christoph Ab\u00e9 \u2013 Drum and Bass Composer<br>Robert Hyman \u2013 Opera Singer \/ Voice Professor<br>Madeleine Karlsson \u2013 Choreographer, Performer<br>Emilia Brown \u2013 Soprano<br>Elisabeth Leyser \u2013 Soprano<\/p>\n","protected":false},"excerpt":{"rendered":"<p>14 a 17\/NOV | das 15h \u00e0s 21h | Anexo CineSesc Direction: Jimmy YuCountry: Coreia do SulYear:&nbsp; 2025Duration: 25 minRating: 14 years&nbsp; Downfall of the Virtual Human is a multimedia VR work that satirically depicts the rise and fall of Mizzy, a popular virtual woman who became the target of Korea\u2019s \u201cClaw hand\u201d controversy. The [&hellip;]<\/p>\n","protected":false},"author":29,"featured_media":8918,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[1,2663],"tags":[865,2675,893,2665,884,961,888,2240],"class_list":["post-8888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mix-eng","category-mix-xr-en","tag-animacao-en","tag-coreiadosul-en","tag-feminista-en","tag-mixxr-en","tag-politica-en","tag-queer-en","tag-vr-en","tag-genz-en","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/8888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/comments?post=8888"}],"version-history":[{"count":2,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/8888\/revisions"}],"predecessor-version":[{"id":8919,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/8888\/revisions\/8919"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/media\/8918"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/media?parent=8888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/categories?post=8888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/tags?post=8888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}