{"id":9263,"date":"2025-11-11T18:00:42","date_gmt":"2025-11-11T21:00:42","guid":{"rendered":"https:\/\/mixbrasil.org.br\/33\/?p=9263"},"modified":"2025-11-11T18:00:43","modified_gmt":"2025-11-11T21:00:43","slug":"here-now-everyone-2","status":"publish","type":"post","link":"https:\/\/mixbrasil.org.br\/33\/en\/mix-dramatica-en\/here-now-everyone-2\/","title":{"rendered":"Here, Now, Everyone"},"content":{"rendered":"\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>14\/11, sex, 19:00, 50&#8242; | Teatro S\u00e9rgio Cardoso &#8211; Sala Paschoal Carlos Magno<\/p>\n<\/blockquote>\n\n\n\n<p>It all begins with a boy on the edge of the balcony. Bent over the railing, he does not jump \u2014 but he does not step back either. In that suspended moment, his story opens like a shattered puzzle scattered in the air.<\/p>\n\n\n\n<p>From this limit moment, the performance invites the audience to dive into the mind of this man in a process of reconstruction and understanding. Amid memories that appear out of order \u2014 like someone trying to piece together the past with fragments that no longer fit \u2014 we relive the journey of a sensitive gay child into his adult life, marked by intense loves, muffled pains, complex family ties, and the loneliness of existing in a dissident body.<\/p>\n\n\n\n<p>Nothing is linear. Nothing is explained. The narrative builds itself between silences, deliriums, and flashes of lucidity. The audience takes on an active role: witness, accomplice, and provocateur, helping to organize this emotional labyrinth in real time. Here, now, everyone. is an experience about identity, mental health, and survival. A poetic portrait of the mind in collapse \u2014 and of the brutal strength it takes to stay alive when everything inside you wants to stop.<\/p>\n\n\n\n<p><strong>CREDITS<\/strong><br>Loosely inspired by the book of the same name by Alexandre Mort\u00e1gua and the discography of Jaloo<br>Text and Performance: Felipe Barros<br>Direction: Heitor Garcia<br>Assistant Director: Mayara Dornas<br>Actor Coaching: Estrela Strauss and Mayara Dornas<br>Vocal Coaching: Lucya Gayotto<br>Production: Jessica Rezende<br>Lighting Design: Rodrigo Pivetti<br>Sound: \u00c1gatha<br>Set Design: Marco Paes<br>Costume Design: Heitor Garcia<br>Photography: Andr\u00e9 Tashiro and Rafael Duckur<br>Executive Production: Felipe Barros and Alexandre Mort\u00e1gua<br>Production Company: Malisg\u00fce Produ\u00e7\u00f5es<\/p>\n","protected":false},"excerpt":{"rendered":"<p>14\/11, sex, 19:00, 50&#8242; | Teatro S\u00e9rgio Cardoso &#8211; Sala Paschoal Carlos Magno It all begins with a boy on the edge of the balcony. Bent over the railing, he does not jump \u2014 but he does not step back either. In that suspended moment, his story opens like a shattered puzzle scattered in the [&hellip;]<\/p>\n","protected":false},"author":28,"featured_media":9261,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[2727],"tags":[2729,902,897,2731,906,2282],"class_list":["post-9263","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mix-dramatica-en","tag-dramatica-en","tag-gay-en","tag-imersivo-en","tag-performance-brasil-en","tag-sexo-en","tag-identidade-en","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/9263","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/comments?post=9263"}],"version-history":[{"count":1,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/9263\/revisions"}],"predecessor-version":[{"id":9265,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/posts\/9263\/revisions\/9265"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/media\/9261"}],"wp:attachment":[{"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/media?parent=9263"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/categories?post=9263"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mixbrasil.org.br\/33\/wp-json\/wp\/v2\/tags?post=9263"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}